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Malevich and Interwar Modernism

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Malevich and Interwar Modernism

Éva Forgács
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This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe.
It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art...
出版社:
Bloomsbury Publishing
语言:
english
ISBN 13:
9781350204195
ISBN:
D62B9CD8-26A4-4F1F-BE61-5AE9B7B3441D
文件:
MOBI , 4.07 MB
IPFS:
CID , CID Blake2b
english0
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